This book provides a holistic approach to Harold Pinter’s plays, from his first play, The Room (1957), to his last play, Celebration (1999). The book is divid

This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and

Scolnicov highlights Harold Pinter as an experimental playwright who attempted to free the theatre from the legacy of realism, causality, and motivation.

The Theatre of Harold Pinter offers a unique assesment of one of Britain's most influential dramatists, combining a chronological survey of Pinter's entire work