This study explains how Merzak Allouache broke away from Algerian state-run cinema to create an original style that makes him both unique and extremely interest

Covering a period of five hundred years, from the arrival of the Ottomans to the aftermath of the Arab uprisings, James McDougall presents an expansive new acco

Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary

This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cult

Algeria: Nation, Culture and Transnationalism covers a specific period of time (1988-2015) that has taken on a significantly different socio-political configura