"The first history of cinema's treatment of terrorism from the birth of film to today"--

In this examination of the psychology of terror, Iaccino uses Jungian archetypes to analyze significant works in the horror film genre. In the past, Jungian arc

Cinematic Terror takes a uniquely long view of filmmakers' depiction of terrorism, examining how cinema has been a site of intense conflict between paramilitari

Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more

This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, includin