Conceptual Art

Download or Read eBook Conceptual Art PDF written by Paul Wood and published by Tate. This book was released on 2002 with total page 88 pages. Available in PDF, EPUB and Kindle.
Conceptual Art
Author :
Publisher : Tate
Total Pages : 88
Release :
ISBN-10 : UCSC:32106019122255
ISBN-13 :
Rating : 4/5 (55 Downloads)

Book Synopsis Conceptual Art by : Paul Wood

Book excerpt: Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. This introduction explores the reasons why the new avant-garde chose to produce such work.


Conceptual Art Related Books

Conceptual Art
Language: en
Pages: 88
Authors: Paul Wood
Categories: Art
Type: BOOK - Published: 2002 - Publisher: Tate

DOWNLOAD EBOOK

Conceptual Art has set out to undermine two concepts associated with art - the production of objects to look at, and the act of contemplative looking itself. Th
Conceptual Art and the Politics of Publicity
Language: en
Pages: 258
Authors: Alexander Alberro
Categories: Art
Type: BOOK - Published: 2003 - Publisher: MIT Press

DOWNLOAD EBOOK

An examination of the origins and legacy of the conceptual art movement.
Who's Afraid of Conceptual Art?
Language: en
Pages: 178
Authors: Peter Goldie
Categories: Art
Type: BOOK - Published: 2009-10-16 - Publisher: Routledge

DOWNLOAD EBOOK

What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art
Systems We Have Loved
Language: en
Pages: 250
Authors: Eve Meltzer
Categories: Art
Type: BOOK - Published: 2013-07-02 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

By the early 1960s, theorists like Lévi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids
Conceptual Art
Language: en
Pages: 258
Authors: Ursula Meyer
Categories: Art
Type: BOOK - Published: 1972 - Publisher: Plume Books

DOWNLOAD EBOOK

The function of the critic and the function of the artist have been traditionally divided; the artist's concern was the production of the work and the critic's