This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Maga

Identification of the phenomenon of marginality in The Marginal Self—the failure to become one’s authentic, best self, by refusing to actualize this potenti

This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically con

The Routledge Companion to Latine Theatre and Performance traces how manifestations of Latine self-determination in contemporary US theatre and performance prac

Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of