This book investigates the construction of national identity in films of the New German Cinema using – for the first time – an explicitly cultural studies m

In this original study, Scharf investigates issues of national identity in films of the New German Cinema. Using a cultural studies analysis, Scharf argues that

Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating

This study of New German cinema identifies different styles of historical remembrance in which music participates. It concentrates on how listeners are urged to

When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity—national, political, personal, and s