Although scholars are aware that serialization was the usual publication format for the Victorian novel, few take into account how this special reading experien

An intense fascination with the experience of time has long been recognised as a distinctive feature of the writing of William Makepeace Thackeray (1811–1863)

Drawing on the rhetorical work of James Phelan, Wayne Booth's ethical criticism, recent work on William Makepeace Thackeray, as well as an understanding of the

Jack P. Rawlins's study explores one of the great problems of mid-Victorian literature: the explanation and justification of William Makepeace Thackeray’s nar