Edward Field writes poetry that is literate, immediate, funny and completely personal--like small essays on the human condition, spoken by a friend we trust.

Gay presence is nothing new to American verse and theater. Homoerotic themes are discernible in American poetry as early as the 19th century, and identifiably g

"[A]n excellent analytical study of a sensationally beautiful type of temple. . . . This work is not just art historical but embraces . . . religious studies, a