Syriac 6ᵗʰ Maccabees

Book excerpt: In addition to these five books of the Maccabees found within the Peshitta, there is additional Syriac literature associated with the woman and her seven sons, who were tortured to death by King Antiochus. The most famous of these Syriac works is the poem Lady Shamoni and the Maccabean Martyrs, which Western biblical scholars have dubbed 6ᵗʰ Maccabees. The poem goes into more detail regarding the torture of the sons of Shamoni than 2ⁿᵈ Maccabees, where the author skipped over most of the gruesome details and then ended the chapter with “This is enough about the eating of sacrifices and the extreme tortures.” The text of 6ᵗʰ Maccabees is itself somewhat confusing. Scholars agree the original text was the third-person perspective historical narrative that forms most of the text, however, this is repeatedly interrupted by an editor who interjects their own thoughts in first-person perspective. The editor was clearly a Christian, as he references Jesus, however, even the Christian edits use a mix of terms that confuse their dating. It is entirely plausible that more than one Christian editor handled the poem. The older third-person historical narrative appears to be pre-Christian, as it is consistent with Judean writings from the Second Temple era. The focus of the story returns consistently to the preservation of the Orit, the Aramaic version of the Torah that was in use before the Hasmonean dynasty translated and standardized the ancient Samaritan, Judahite, and Aramaic texts into Classical Hebrew. Some scholars believe that this older historical narrative is drawn from the same source the author of 2ⁿᵈ Maccabees used, which is why it retains more of the details. This is conjectural, as the details may be fictional additions to the story found in 2ⁿᵈ Maccabees. However, the author of 2ⁿᵈ Maccabees claimed to be condensing Jason of Cyrene’s five-volume work on the Maccabees and certainly skipped over some of the torture. Jason of Cyrene’s work is lost, and so this may be a section of his work that was later converted into a Syriac Christian poem.