Graham Huggan examines some of the processes by which value is given to postcolonial works within their cultural field using both literary-critical and sociolog

Travel writing, it has been said, helped produce the rest of the world for a Western audience. Could the same be said more recently of postcolonial writing? In

The “Other”—source of fear and fascination; emblem of difference demonized and romanticized. Theories of alterity and cultural diversity abound in the con

Graham Huggan examines some of the processes by which value is given to postcolonial works within their cultural field using both literary-critical and sociolog

Interdisciplinary Measures makes the case for a cross-disciplinary, but literature-centred, approach to postcolonial studies. Despite the anxieties that interdi