At a time when postmodernism seems to have achieved a dominant position in cultural and critical theory, the contributors to this volume present a much needed c

The final section explores concepts of the artist as a producing subject and of the viewer as a produced subject with respect to such artists as Pablo Picasso,

Opening -- Part I. Metarealism. How the real world became a fable, or, The realities of social construction -- Part II. Process social ontology. Concepts in dis

In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-gar

This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understa